The Film Thugs Movie Show

Rise of the Planet of the Apes

Quick confession. I have not seen any of “The Planet of the Apes” film from beginning to end. I have seen bits and pieces of a few, but never a complete beginning to end. Oddly, I have read Pierre Boulle’s book (he also wrote “The Bridge Over the River Kwai”). Yet somehow the movies have evaded me.

I never really felt like I was missing much. The iconic shocker of an ending has been ruined more times over than I can count, and since I feel as though I “get” what it’s about I haven’t ever really felt the need to watch any. It’s heresy I know, but I do intend to rectify this soon.

Sad to say, but I’ve actually seen more of the Tim Burton version than any of the others. That’s not saying much, I only caught the last 40 minutes or so on HBO one time and found it too hilariously grotesque to turn off.

That being said, I didn’t feel overtly compelled to see this one. Even when the positive reviews started flowing in I felt as if it was a case of lowered expectations being surpassed. I was very wrong.

What could easily have been a quick, mindless, effects reliant mess (basically what we have been trained to expect these days) is, instead, a thoughtful, touching, and emotional story of what happens when someone learns to expect more.

James Franco plays Will Rodman, a scientist working on a cure for Alzheimer’s disease. He creates a formula that allows the brain to create new pathways and repair itself at an alarming rate. In primate testing it delivers astonishing results. Due to some complications his project is cancelled, but not before it can yield a newborn ape who, through the genetic mutation caused by his vaccine, develops incredible intelligence. Things, of course, go awry and the hyper intelligent Caesar ends up in a primate sanctuary, where his mistreatment at the hands of humans causes the beginnings of man’s ultimate downfall.

That’s the broad strokes of it. No big surprises, as the title lets you know up front where things will end up.

I actually had fairly high expectations going into this. The guys over at The Adams Movie Podcast (The A.M.P) both listed this as their number two (almost number one) film of the year and I absolutely cannot blame them.

For starters the writing is fantastic. This is a much more personal story than you might think at first. Caesar is not an animal or a pet, he is developed as a child, a fully functioning, intelligent child. His interactions aren’t simple survival reactions (seeking food or shelter) but are emotionally driven. He is kind, inquisitive, and protective. In short, he is a full member of the family.

I’m not going to lie to you; Caesars story is absolutely heartbreaking. What could have been a simple revenge, animal gone wild story, is instead a story of a fight for freedom. You come to know and care for Caesar so much that when he is expected to act like an animal it is genuinely crushing and infuriating. This is not an animal, this is a very intelligent child that you have seen grow into a caring and inquisitive young man, and suddenly he is expected to eat slop and play in the water with a milk jug.

The performances are all very solid, which is to be expected form people like James Franco and Brian Cox, but the standout is Andy Serkis. I honestly have no idea how good an actor Serkis is as just a man. I’ve only seen him in a few things, most recently “Burke and Hare” (although I do hear that he is fantastic in “Sex, Drugs, and Rock and Roll”), but make no mistake, this man is the Olivier of motion capture. His portrayal of Caesar easily rivals his stunning work in “Lord of the Rings.” He is uniquely able to find and convey the humanity of a non-human character and make that character come to life, fully formed, and completely relatable. You will feel Caesars heartbreak, his longing, his joy, his desire to belong, and his ultimate fury.

I was absolutely stunned by this movie. Even though I had high hopes, it was not what I was expecting. Yes, there are some pretty thrilling action scenes, but there is also poignancy to those scenes. The violence matters, you feel every death and every injury. But more than that the film allows you, almost forces you, to side with Caesar. You are shown why he not only wants his freedom, but why he deserves it. In a movie about the ultimate downfall of mankind you actually find yourself cheering for the other side. Think about the difficulty in that.

During this years Austin Film Festival Campbell and I sat in on a panel entitled “Zombies, Apes, and Vampires: Breathing New Life Into Old Genre’s” featuring Rick Jafa (writer of this film), as well as a few others. We only lasted about half way through it because all discussion kept going back to another film (which I will not name here, but you might hear mentioned on the show) that was more “extreme.” That was literally all that was mentioned, how “extreme” it was. We heard nothing about how it was written or how it breathed new life into anything, just about the cool shit they did and how cool that shit really was. This is even more infuriating now as “Rise of the Planet of the Apes” was possible the most refreshing take on a tried genre I’ve ever seen. It transcended the earlier films in terms of emotional impact (given what I’ve heard), it went beyond basic creation myth, and it completely up ended the idea of the revenge film.

This movie is why I hate writing best of the year lists. Invariably there is one movie like that that I didn’t see until after the new year, when my list is already out, and I find myself completely reevaluating what I wrote. Make no mistake, this isn’t on my list, but it damned will should be. This, along with another I forgot to mention (Source Code), belong firmly in my top 5. No question. So if you think it looks like a stupid sci-fi piece that you couldn’t possibly be interested in, do yourself a favor and take a chance on it. Trust me when I tell you that it is well worth the time.