The Film Thugs Movie Show

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Informed film discussion for the unrefined connoisseur.

Episodes

Sunday Jan 15, 2017

Criterion Year week 60: The Devil's Backbone

Sunday Jan 15, 2017

The Criterion Collection, the last vestige of truly collectible DVD and Blu-Ray movies in existence. These are well produced, fancy pants editions of important and interesting films for the discerning film lover.

We continue our journey through Jim's collection of movies with...

The Devil's Backbone

Spine Number: 666

Director: Guillermo Del Toro

Genre: Horror

"“If there isn’t a monster on the call sheet, I don’t show up for work.”

-Guillermo Del Toro

There are few directors who have a love of film and filmmaking that is evident in every frame of their work. I'm not talking about care or dedication to the art, I'm talking about the kind of love that most of us lose when we grow up. That unadultered, childlike joy and wonder that adults normally don't hold on to, for whatever reason.

Guillermo Del Toro is one of those directors. His absolute love of what he does permeates every image. His stories, no matter how grounded in real life, all have a fantastical element that you cannot create without giving your heart over to the process.

Even a movie as dead serious, and... let's be honest, as much of a downer as "The Devil's Backbone," could only be made by someone who loves what they do.

The subject matter is a bit... well, it's about a boy coming to an orphanage during the final days of the Spanish Civil War and uncovering disturbing secrets. Oh, and there is a ghost.

This movie isn't so much scary as it is creepy, and creepy is way worse. The way movies use scary these days is just cheap, quick jump scares that have no build up and no follow through that leave you just as quickly as they arrived.

But creepy... creepy builds and gnaws at you. It in the room the entire time. Creepy... that's the way to do it.

Creepy also takes time. The kind of time you can only dedicate if you love doing it. And, Del Toro LOVES doing it.

This is an absolute stand out of a movie. It's a simple, effective story, that utilizes everything from performance to lighting to setting flawlessly to create an amazing experience.

Check it out with us, won't you?

Next week,

Spine number 691: Thief

Also, check this out.

The Life Masters is now it's own show with its own site and own dedicated feed. That's right, we have two completely different shows!

Right now check it out at www.thelifemasters.podbean.com.

You can also drink in our brilliance on Youtube for both The Film Thugs and The Life Masters.

http://fantasymovieleague.com/

Looks like Summer Movie League has officially become Fantasy Movie League.

It looks quite fun. Here's how it works.

You have an 8 screen theater.

Every week you pick movies and have a budget/salary cap you have to stay under.

Then you compete against other theaters in your league.

It's fantasy football for movie people.

Our league is Film Thugs 2015 and the password is Porterhouse.

And remember, you can be a part of the show any time you wild like. How's that? All you have to do is call or e-mail us. If you live in the US, or any place that makes calling the US easy, just dial 512-666-RANT and leave us a voicemail. We will read the Google Voice transcript and play your message. It's both funny AND informative.

If you live outside the US you can call us on Skype at The_Film_Thugs. You can leave a message, or someone might actually answer.

E-mail us at thefilmthugs@gmail.com and we will read/play whatever you send us, or you can e-mail thugquestions@gmail.com to be part of an upcoming "Ask the Film Thugs" show, where we answer questions on any subject without having heard them first.

Also, we are on twitter @thefilmthugs and on Facebook and Vine.

Also, be sure to check back often for our new endeavor The Life Masters, where we answer questions to other advice columnists.

Thanks for listening, and until next week...

Sunday Jan 08, 2017

Criterion Year Week 59: Safety Last

Sunday Jan 08, 2017

We continue our journey through Jim's collection of movies with...

Safety Last

Spine Number: 662

Director: Fred C. Newmeyer and Sam Taylor

Genre: Comedy

The history of film is littered with iconic images, as one would imagine. I mean, it's an industry of visual artists, so you are bound to get some pictures that stand out. Rocky on the top of the steps, E.T. flying across the moon, Simba being held up to introduce him to the pride, Gene Kelly spinning on a lamppost during a downpour all bring to mind these amazing movies and incredible scenes.

But are there any images that are iconic and recognizable, but that people, by and large, don't know the film that spawned them?

Yes, there are.

This week, we address one such case.

Harold Lloyd, often referred to as silent comedy's "third genuis," alongside Keaton and Chaplin, made "Safety Last," in 1923 and, even if you don't know the movie, you know the image. Lloyd was unrealistically successful in his day. His movies were immensely popular, and he was insanely rich. How rich? His home, Greenacers, cost two million dollars. In the 20's. Adjusted for inflation, that's over $200,000,000. When he died, the 16 acers it was located on were broken down into 14 large lots for other mansions. That's right, his home had enough land for 16 other massive homes.

Oh, and when he wasn't making movies, he was one of the founders of The Academy of Motion Picture Arts and Sciences. You know, the people who give out the Oscars.

So, while Keaton and Chaplin might be more immediately recognizable, Lloyd holds the title as the most successful. Unless on of those guys started an organization that gives out an award that redefines a person's career, and we just don't know about it.

So, why was he not as well known? Well, because unlike Keaton and Chaplin he was able to maintain ownership of his films. So, while the other two saw their work reproduced over and over again, some lapsing into public domain, the rest just being treated as another property owned by companies that just churn stuff out, Lloyd had complete control over his releases. Ever single one was an official release. So, while the other guys saw their films treated as properties, Lloyd's work was carefully preserved and curated.

Why is that important? Firstly because it allowed for these films to be immacuately maintained. The prints are STUNNING. Second, it made his work more of an insider thing. If you weren't a film fan to begin with, you were probably completely unaware of his work.

This brings us to Safety Last. Honestly, this is one of the funniest and most thrilling movies ever made. It's a simple story about a boy trying to impress a girl, but man... the gags and stunts are so outstanding that it elevates the entire thing to a different level.

So, check out this classic piece of American cinema, then sit back and listen to us. Honestly, it's a great way to spend your day.

Next week,

Spine number 666: The Devil's Backbone

Also, check this out.

The Life Masters is now it's own show with its own site and own dedicated feed. That's right, we have two completely different shows!

Right now check it out at www.thelifemasters.podbean.com.

You can also drink in our brilliance on Youtube for both The Film Thugs and The Life Masters.

http://fantasymovieleague.com/

Looks like Summer Movie League has officially become Fantasy Movie League.

It looks quite fun. Here's how it works.

You have an 8 screen theater.

Every week you pick movies and have a budget/salary cap you have to stay under.

Then you compete against other theaters in your league.

It's fantasy football for movie people.

Our league is Film Thugs 2015 and the password is Porterhouse.

If you live outside the US you can call us on Skype at The_Film_Thugs. You can leave a message, or someone might actually answer.

Also, we are on twitter @thefilmthugs and on Facebook and Vine.

Also, be sure to check back often for our new endeavor The Life Masters, where we answer questions to other advice columnists.

Thanks for listening, and until next week...

Sunday Jan 01, 2017

Criterion Year Week 58: Anatomy Of A Murder

Sunday Jan 01, 2017

We continue our journey through Jim's collection of movies with...

Anatomy Of A Murder

Spine Number: 600

Director: Otto Preminger

Genre: Drama

Courtrooms are inherently dramatic. There are stakes, someone will win, someone will lose... you don't have to add anything to the environment to make it dramatic. Sometimes movies will dress thigns up and try to force some sort of spectacle onto the story, but you really don't need it.

This point is driven home masterfully in Otto Preminger's "Anatomy of A Murder." A young Army officer admits to killing a man. There are witnesses. Open and shut, right? Well...

Not really.

Brilliantly acted, expertly directed, and beautifuly written, Anatomy of A Murder is one of the finest examples of courtroom drama ever filmed.

But there is more. We also talk about how this type of film is becoming scarcer and how the current business model of the flm industry is killing the film industry.

Next week,

Spine number 662: Safety Last

Also, check this out.

The Life Masters is now it's own show with its own site and own dedicated feed. That's right, we have two completely different shows!

Right now check it out at www.thelifemasters.podbean.com.

You can also drink in our brilliance on Youtube for both The Film Thugs and The Life Masters.

http://fantasymovieleague.com/

Looks like Summer Movie League has officially become Fantasy Movie League.

It looks quite fun. Here's how it works.

You have an 8 screen theater.

Every week you pick movies and have a budget/salary cap you have to stay under.

Then you compete against other theaters in your league.

It's fantasy football for movie people.

Our league is Film Thugs 2015 and the password is Porterhouse.

If you live outside the US you can call us on Skype at The_Film_Thugs. You can leave a message, or someone might actually answer.

Also, we are on twitter @thefilmthugs and on Facebook and Vine.

Also, be sure to check back often for our new endeavor The Life Masters, where we answer questions to other advice columnists.

Thanks for listening, and until next week...

Sunday Dec 04, 2016

Criterion Year Week 57: The Wages of Fear

Sunday Dec 04, 2016

We continue our journey through Jim's collection of movies with...

The Wages of Fear

Spine Number: 36

Director: Henri-Georges Clouzot

Genre: Drama

Movies need to set and manipulate a certain mood in order to be effective. It is hard to do. Tension is one of the most difficult to really maintain. There are things that people can do that add tension in obvious ways, but those tend to leave you flat once they're done. Jump scares and "here comes the bad guy" music can only go so far.

With that in mind... damn! "The Wages of Fear," is tense as hell. Clouzot delivers one of the most incredible instances of building and maintaining tension throught. Its a simple story with complex detail. A group of people trapped in a remote part of Venezuela without the means to get home are offerd the opprotunity to make an incredible amount of money. All they have to do is transport two literal truckloads of nitro glycerine across an unpaved, remote and desolate road.

That set up alone... damn!

This film is incredible. I mean... it takes an hour before they are even in the trucks! It's important that you see what life is in this small outpost. You understand the desperate circumstances that force people to do such... just insane things.

This was remade by William Friedkin in the 70's with the baffling title, "Sorcerer," which is actually a pretty damned good film. I recommend both very highly.

So, relax if you can and enjoy our thought after watching "The Wages of Fear."

Next week,

Spine number 600: Anatomy of a Murder

Also, check this out.

The Life Masters is now it's own show with its own site and own dedicated feed. That's right, we have two completely different shows!

Right now check it out at www.thelifemasters.podbean.com.

You can also drink in our brilliance on Youtube for both The Film Thugs and The Life Masters.

http://fantasymovieleague.com/

Looks like Summer Movie League has officially become Fantasy Movie League.

It looks quite fun. Here's how it works.

You have an 8 screen theater.

Every week you pick movies and have a budget/salary cap you have to stay under.

Then you compete against other theaters in your league.

It's fantasy football for movie people.

Our league is Film Thugs 2015 and the password is Porterhouse.

If you live outside the US you can call us on Skype at The_Film_Thugs. You can leave a message, or someone might actually answer.

Also, we are on twitter @thefilmthugs and on Facebook and Vine.

Also, be sure to check back often for our new endeavor The Life Masters, where we answer questions to other advice columnists.

Thanks for listening, and until next week...

Sunday Nov 20, 2016

Criterion Year Week 56: High and Low

Sunday Nov 20, 2016

We continue our journey through Jim's collection of movies with...

High and Low

Spine Number: 24

Director: Akira Kurosawa

Genre: Drama

So, we take a jump back in the spine numbers because this is a new addition to the collection, and damn... what an addition it is.

There is an inherent and undeniable drama to the kidnapping/ransom genre. I mean, a child is missing and there is no question that they are in harms way. But just having the drama doesn't automatically make the story powerful or compelling or, for that matter, good. It takes so much more.

And, since we are talking about Kurosawa, High and Low delivers so much more.

On the eve of a massive business deal, a self made millionaire gets a phone call. His child has beeen abducted and the ransom is 30 million yen. The amount is absurdly high, and will cause not just his deal to fall through, but also completely ruin him financially as he has leveraged everything he has for the deal.

The kicker... the kidnapper got the wrong child, grabbing his chauffers kid instead. Now, Kingo Gondo (played masterfully by Toshiro Mifune, becuase that's the only speed that man posessess) has a choice to make. Does he risk the financial well being of his family to save someone elses child.

A movie that works as a series of tightening nooses, High and Low is one of the most complete films in this genre. You get the tension of the parents, you get the amazing ransom delivery, you get the intense investigation, you get the kidnapper trying to stay one step ahead... basically you get Kurosawa at his best.

So, join us again for another look at one of the greatest of all time.

Next week,

Spine number 36: The Wages of Fear

Also, check this out.

The Life Masters is now it's own show with its own site and own dedicated feed. That's right, we have two completely different shows!

Right now check it out at www.thelifemasters.podbean.com.

You can also drink in our brilliance on Youtube for both The Film Thugs and The Life Masters.

http://fantasymovieleague.com/

Looks like Summer Movie League has officially become Fantasy Movie League.

It looks quite fun. Here's how it works.

You have an 8 screen theater.

Every week you pick movies and have a budget/salary cap you have to stay under.

Then you compete against other theaters in your league.

It's fantasy football for movie people.

Our league is Film Thugs 2015 and the password is Porterhouse.

If you live outside the US you can call us on Skype at The_Film_Thugs. You can leave a message, or someone might actually answer.

Also, we are on twitter @thefilmthugs and on Facebook and Vine.

Also, be sure to check back often for our new endeavor The Life Masters, where we answer questions to other advice columnists.

Thanks for listening, and until next week...